【 開幕限定餐飲｜未散 Opening Night Menu | Not Yet Dispersed 】

9/23 開幕當晚，一份只存在一夜的餐飲將出現在展覽之中。展覽的起點，是在網路戀物市場中流通的、被人穿過的衣物。當這些衣物轉化為雕塑，原本附著其上的氣味，也在過程與時間裡逐漸散去。奇特的是，這個市場裡的買家評論，經常以氣味與味道的語彙來描述這些衣物，有些讀起來幾乎像品飲筆記。開幕餐飲便從這些文字出發，把早已不在的氣味，轉譯成可以被聞到、嚐到、也可以被想像的東西。那一晚，消失的氣味不會被複製，而是以另一種形式短暫回到現場。

On 23 September, a menu made to exist for one night only will enter the exhibition. The work begins with worn garments circulating through online fetish markets. As those garments become sculptures, the smells they once carried gradually disperse through the transformation and over time. What is striking is how buyers in that market write: their reviews describe worn clothing through the vocabulary of smell and taste, and some read almost like tasting notes. The opening menu begins with that language, translating a smell that is no longer there into something that can be smelled, tasted, and imagined. For one evening, the missing scent is not reproduced. It returns in another form.

【 內容簡介 About the Lecture 】

一件衣物被某個人穿過、標價、寄出，交易就完成了。但物件沒有停下來：它離開身體，被固化為雕塑，進入展場，被書寫、被觀看，也被賦予新的價值。本場對談由倪灝與陳佩甄從《遲滯》出發，追問穿過的衣物如何從私人交換進入公共藝術，以及在這個過程中，匿名、價值與觀看的關係如何被改寫。當「性」本身不必然激進，政治性究竟可能發生在哪裡？

This conversation extends Ni Hao’s exhibition Hysteresis at the NCCU Art Center and Pei-Jean Chen’s essay “Your ‘Sex’Is Not Radical,” written in response to the 2025 Taipei Biennial and discussing his Socks Series. Beginning with the movement of worn clothing from anonymous exchange into sculpture and public view, they ask how anonymity, value, and looking are reconfigured once a private exchange enters an art institution. If “sex” itself is not necessarily radical, what else might be political?

【 主持人暨與談人簡介 】