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 表演總覽    2 / 3 

攝影/陳韋勝

《 撕裂 》

編舞家黃懷德自己形容為「非常狂亂、非常掙扎」的作品。

分裂的內在,不同的人格狂亂地衝撞、掙扎,誰住在我身體裡?他用黑布把一些本來可見的家具蓋住,燈亮,有個人站在中間偏左的舞台,暗暗的,幾秒鐘的時間,聲音有點像是風聲,呼呼呼地響了起來,忽然有一些人從他的身體裡鑽了出來………

《撕裂》創作發想源自於一個親友有段很特別的過去。他因毒品、傷害、槍枝等罪入獄八年,期間曾想自殺的他,被檢查出有精神分裂症、焦慮症以及憂鬱症。在與他的相處的過程中,他的焦慮動作,充滿了細碎不安的狀態,身為創作者立刻被這種表面上的動作吸引,但在仔細思考後,表面動作的背後隱藏著內心是如何的掙扎,使他會犯下連自己都覺得錯的事情?讓他這一生中似乎都在跟自己的某種東西對抗。探究他、更深層的認識他,像是在我的身體裡也住了一個我也不知道是誰的人,狂亂地衝撞、掙扎與撕裂。

舞蹈對我來說,曖昧性很高,優點是它的想像空間,缺點則是不容易讀懂,在這個創作作品中,表面上是驗證題材上的可行性,但事實上是在實驗一種表演方法,這種表演方法是一種現實與非現實中的轉換,無論是在身體、道具、狀態,都時時刻刻處在一種虛實之間,也就是讀懂與讀不懂之間,是不是反而能製造出一種如夢境般的超現實世界?這是在這個作品中最想實驗的一個本質上的想法。在不斷的試驗與堅持,這個想法不知不覺中就往前一大步,對創作者而言期待它未來能發展為更成熟的表演。

Split

Choreographer Huang Huai-Te has described it in his own words as “A work that was quite frantic and a real struggle.”

Split on the inside, different personalities frantically collide and struggle. Who lives inside my body? He uses a black cloth to cover some furniture that was originally visible. The lights go on. Someone is standing just to the left of the center of the stage. The light is dim and for a few seconds the sound is like the wind blowing, “whooo, whooo, whooo”. Suddenly, several people emerge from his body.

The idea for “Split” originated with a relative’s particular past. Because of involvement with drugs, injuries, guns and other such crimes, he served eight years in prison. During that time, he thought of committing suicide and was completely crushed by his situation. As a creative artist, I was immediately attracted to this kind of superficial movement. But after carefully thinking about it, behind these movements were how he struggled on the inside, which caused him to commit crimes that even he felt were wrong. Which let him seem to be engaged in confrontation with some part of himself. To explore and more deeply understand him, as if an unknown self inhabited my body, frantically colliding, struggling and splitting.

To me, dance is highly ambiguous. The advantage of this is its space for imagination, while the disadvantage of this is that it is not easy to read and understand. In this work, it validates the feasibility of the subject matter on the surface level, but actually it is an experiment into a performance approach, which is a kind of shifting between reality and non-reality. Whether in terms of bodies, props, states of being, all of these things exist moment by moment in between a kind of virtual reality, and also in between being understood and not being understood, and thus is able to manufacture a kind of dreamlike surreal world? This is the essential idea of what I most want to validate in this work. Through constant experimentation and persistence, this idea has made great progress of its own accord. For myself, the creative artist, I look forward to developing it into a more mature performance in the future.

  編舞家 | Choreographer  

黃懷德 | Huang Huai-Te

近年備受矚目的新生代編舞家,雲門2的駐團編舞者,作品曾入圍第14屆台新藝術獎,2008年國立台灣藝術大學舞蹈系畢業,2009年加入驫舞劇場。2015年受邀雲門2春鬥編舞,2016再度受邀參與春鬥編舞。作品曾入圍台新藝術獎,重要作品有《兩條線》、《時間旅行》、《我有一張椅子》、《暫時而已》、《亮》等。

A new generation choreographer gaining attention over these last few years, Huang Huai-Te is resident choreographer of the Cloud Gate 2, whose work was nominated at the 14th annual Taishin Arts Awards. Huang graduated from the Department of Dance at the National Taiwan University of Arts in 2008. The following year (2009) he joined Horse theater. He was invited to choreograph works for the 2015 and 2016 Spring Riot projects of Cloud Gate 2. His creative works include: "Two Lines", "Time Journey", "I Have a Chair", "It Is Only Temporary" and "Brightness".

創作經歷

  • 2017 雲門2春鬥《亮》
  • 2016 階段呈現《身體感》
  • 2015 雲門2春鬥《暫時而已》
  • 2013 驫舞劇場共同創作《男人與狗》
  • 2013 獨立創作《我有一張椅子》
  • 2012 驫舞劇場《翻滾吧、舞男》校園創作計畫
  • 2011 驫舞劇場《繼承者》
  • 2010 驫舞劇場「M-Dans2010」發表《星期天》
  • 2009 驫舞劇場《正在長高》
  • 2009 《二條線》榮獲舞蹈大地年度大獎
  • 2009 台灣藝術大學現代年度舞展《不合時宜》
  • 2008 兩廳院「台灣舞蹈煉金篇」發表《宅男》並榮獲舞躍大年度大獎
  • 2007 《beat》榮獲台灣藝術大學系展最佳編舞獎

工作坊經歷

  • 2015高雄市衛武營《雲門2》駐地計畫
  • 2013高雄市衛武營《男人與狗》演出暨推廣工作坊
  • 2011中央大學《驫進校園》駐校推廣工作坊計畫
  • 2010清華大學《速度》校園演出暨推廣工作坊
  • 2010新加坡濱海藝術中心《速度》演出暨推廣工作坊


  舞者 | Dancer  

莊秉衡 | Chuang Ping-Heng

國立台灣藝術大學舞蹈系畢業,在校期間與多名編舞家合作。2015年加入世紀當代舞團,參與榮獲台新藝術獎之作品《婚禮/春之祭》。合作編舞家有黃懷德、姚淑芬、許耀義、張蓀等。

Graduate of the Dance Department of National Taiwan University of the Arts, he worked with different choreographers while in the program. In 2015 he joined Century Contemporary Dance Company, performing in the Taishin Arts Awards award-winning “Les Noces / Le Sacre du Printemps”. He has worked with choreographers: Huang Huai-Te, Yao Shu-Fen, Hsu Yao-Yi and Chang Sun.


  舞者 | Dancer  

黃郁翔 | Huang Yu-Xiang

2009年畢業於國立台北藝術大學,在校期間參與了大型演出包含:喬治•巴蘭欽《小夜曲》、瑪莎•葛蘭姆《天使的嬉戲》、林懷民《白之III》等。2013年加入雲門2,在雲門2期間與多名知名編舞家合作,如鄭宗龍、黃翊等。

Graduate of Taipei National University of the Arts, while in school he performed in several major performances, including George Balanchine’s “Serenade”, Martha Graham’s “Diversion of Angels” and Lin Hwai-min’s “White (Bai) III”. He joined Cloud Gate 2 in 2013 where he worked with several well-known choreographers, including Cheng Tsung-Lung and Huang-Yi.

《 撕裂 》
    05.03(三)19:30-21:00
  • 地點:藝文中心視聽館
  • 編舞:黃懷德
  • 舞者:黃懷德、莊秉衡、黃郁翔
  • 燈光設計:魏丞專
  • 專案企劃:楊喆甯
  • 本場次演出結束後,將安排20分鐘演後交流
線上報名 Register

Slit

Wed. 3.MAY. 2017 19:30-21:00
  • Venue: Audiovisual Theater, NCCU Art & Culture Center
  • Choreographer: Huang Huai-Te
  • Dancers: Huang Huai Te,
    Chuang Ping Heng, Huang Yu Xiang
  • Lighting Designer & Stage Manager: Wei Cheng-chuan
  • Project programmer: Cordelia Yang
  • The post-show discussion takes place onstage in the theatre auditorium after the performance.

       工作坊  

    身體感工作坊

    05.01(一)19:30-21:30
  • 地點:藝文中心621活動室
  • 講師:黃懷德、黃郁翔、莊秉衡

       Workshop  

   Sense of Body Workshop

Mon.01. MAY. 2017,19:30-21:30
  • Venue: Room 621, NCCU Art & Culture Center
  • Instructors: Huang Huai-Te,
    Huang Yu-Xiang, Chuang Ping-Heng
       專文  


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