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作品總覽 作品編號11

《鐵絲網》
Wire II

吳季璁
Wu, Chi-Tsung

《鐵絲網》 Wire II

吳季璁 Wu, Chi-Tsung

金屬、 玻璃、壓克力
Metal, Glass, and Acrylic

地點:藝文中心數位藝術中心
Digital Arts Center, 2F of Art & Culture Center
時間:週一至週五 09:00-17:00

-財團法人邱再興文教基金會 鳳甲美術館藏品
Permanent collection of Honggah Museum

一圈在原地週而復始轉動的鐵絲網、一組機具,<<鐵絲網II>>的組成很單純,卻創造出無限深入的影像空間。作品中的機具除了功能性的產生影像和暴露自身結構外,還隱含著某種象徵或隱喻。

《鐵網II》為系列續作,從作品名稱中便可見到端倪,然而影像風格卻與《鐵網I》迥異,若《鐵網I》的視覺風格如同南宋山水畫中煙嵐縹緲的情境,《鐵網II》也許更近於北宋時期的大山大水。藝術家表示:「也許用水墨情境來談自己的作品太過危險,可能會被概念化的草率對待,不過還是要坦承,對影像空間的構思,最初來自傳統水墨裝裱型制中的捲軸。」

A machine, and a continuously spinning wire mesh. The composition of Wire II is simple, but it creates an infinite space in a moving image. The exposed mechanism of the work not only functionally produces the image, but more importantly, it also suggests a certain symbolism or metaphor.

Judging from its title, Wire II is obviously a sequel to Wire I, while it sheds a different light on its visual presentation. “If Wire I is compared to the misty and celestial atmosphere in Chinese landscape painting of Southern Song Dynasty, perhaps Wire II resembles the magnificent mountains and rivers in the painting of Northern Song Dynasty,” says the artist. The artist himself indicates that to talk about his works in an analogy with the characteristics of Chinese ink painting is to put his works at the risk of sloppy conceptualization. However, he also admits that the initial idea of the works, especially in the spatial and imagery aspects, was inspired by the “scroll,” a traditional form of framing in Chinese ink paintings.


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